DIRECTOR: Griffin Dunne
KEY ACTORS: Sandra Bullock, Nicole Kidman
IMDB SCORE: 6.3
ROTTEN TOMATOES SCORE: 21%
SEX SCORE: 4/5
✔️ It is indeed rewatchable, but it took me a long time to get there!
✔️ With so few significant male roles, I’d worry if this failed the Bechdel Test but luckily it passes with ease!
✔️ Considering this film has a predominantly female cast, and I’m quite underwhelmed by the men on screen, and I’m straight, this perhaps shouldn’t get a mark from me but even I can’t deny that the cast are fuckable. 1990s were a successful time for them both and arguably their hotness peak so yes, fuckable!
✔️ I almost didn’t give it a mark for inspiring fantasies but I couldn’t ignore that kiss. Sally and her husband’s kiss to Faith Hill’s famous song, This Kiss, is everything.
❌ But despite much soul searching as I love the feminism of this film, I can’t give it a mark for sex positivity. ‘Since when is being a slut a crime in this family?’ Gillian asks but she does suffer. She is the more promiscuous sister who is shown to party with millions of friends and makes jokes about locking up husbands on her return, and she ends up in an abusive relationship. She suffers for her sexuality, and it saddens me that this is the case because it is otherwise a hugely positive and feminist movie.
As always, this contains spoilers so watch the film before you read on…
STREAMING: Amazon Prime (rent £3.49, buy £7.99), YouTube (from £3.98). For a full list of streaming options, check out JustWatch.com
[Content warning: this review discusses bereavement, abusive relationships, effects of trauma]
I remember when I first watched Practical Magic. I was fourteen and at a sleepover. We’d put aside our usual action films and chosen a selection of horror movies from Blockbuster instead, in aide of Halloween. This was the first film that we watched and it terrified us (me) so much that we couldn’t watch anymore and had to return to Die Hard again to recover. Witches, possession, reincarnation; it was too much. This used to be my benchmark for years – I couldn’t watch Practical Magic and that was only a 12! How could I watch any real horror film?
And I didn’t watch it again for years. Until last year, in fact, when all of the 20th anniversary articles made me realise that it may have just been too much for a fourteen year old and I should try it again. Honestly, it is even more terrifying now but in a completely different way, and I loved it. I loved it!
Practical Magic is a film about the Owens family, a matriarchal line of powerful witches who live under a powerful curse – any man who falls in love with an Owens woman dies young. Gillian (Kidman) and Sally (Bullock) are sisters whose father dies because of the curse and whose mother then dies of a broken heart. They move in with their spinster aunts who are more open with their witchcraft, providing curses and love potions to needy villagers. Despite being so afraid and trying everything to avoid love, Sally does get married and has two daughters, before her husband is killed. Gillian, choosing pleasure, runs away and falls for a dark enigmatic man, Jimmy, who ends up abusing her. While trying to escape, Sally and Gillian accidentally kill him, raise him from the dead, and then kill him again. Jimmy ends up haunting them, possessing Gillian and it takes an entire coven of women to rescue her. (This summary is much too simplistic – go watch it!)
Practical Magic terrified me so much more watching it as an adult because it is essentially a story about how dangerous love can be – dangerous if you fall for the right guy as he could die and leave you heartbroken, and dangerous if you fall for the wrong guy as he could abuse and hurt you. Love is pain and despite the message that it is possible to survive, there is so much hurt in this movie that it terrified me.
I am in a hugely fortunate position as I have never been in an abusive relationship so I cannot personally relate to Gillian’s experience and I have not been significantly bereaved so I don’t know Sally’s pain, but I could imagine it; I could feel it. I was sobbing within the first 25 minutes of the film as Sally wailed that ‘he died because I loved him too much.’ That’s the fear. That’s the big one. I definitely have an optimistic outlook but it is based on a knowledge, or even perhaps a morbid expectation, that it could all come crashing down at any time. In the back of my mind, meeting and marrying the man of my dreams only means that I’ll be even more destroyed should he die; a potential pain that I would never experience if I were alone. It sometimes seems the only way to balance out the extreme joy and happiness I have experienced, so Sally’s bereavement because of her love projected my ultimate fear onto the big screen.
Of the two sisters, I am definitely Sally. Gillian ran headlong into love, wanting to feel so much that it was worth any pain, but Sally was more realistic and tries to avoid the risk. She even uses logic to wish for a man so perfect that he couldn’t exist because ‘if he doesn’t exist, I’ll never die of a broken heart.’ Cold logic, it’s the best way to proceed!
Magic is used so powerfully in this film to signify unavoidable emotional experiences. Sally tried and tried to avoid falling in love but she couldn’t. Yes, she was pushed towards her husband by an incantation from her aunts but once she’d open her heart to it, their love was real. Devastatingly, that’s why her husband was killed. In the film, it’s magic; in real life, is the force behind love any less powerful?
This use of magic as a metaphor for emotion is even more powerful if Gillian’s possession is viewed as a metaphor for trauma. She has fought to leave an abusive and harmful relationship but she cannot escape, even when her abuser is dead. She is literally haunted by her relationship, literally haunted by her past. And when Jimmy possesses her, she acts and speaks and feels in ways that aren’t how she would usually behave – they’re remnants of Jimmy, they’re her trauma made real. She’s exhausted by it; she’s almost destroyed by it. And she needs her people to save her. She needs her family and sister and community to help her break free, long after she has physically left her relationship. And, as Refuge discussed with Stylist magazine last year, ‘it hammers home the point that “leaving an abusive partner can be very dangerous…Women are at the greatest risk of homicide at the point of separation or after leaving a violent partner.”’ It’s exaggerated, it’s magical and supernatural, but it feels so real.
Practical Magic handles the issue of Gillian’s abuse with a lightness that could be misinterpreted as disinterest, but I think actually creates a much more realistic story. Buzzfeed felt that this is why critics didn’t like it when it was first released, and I think it’s 21% Rotten Tomatoes rating might be the lowest I’ve posted yet: ‘Many of them didn’t understand the tone of a film that smirked and made jokes and leaned into love even as it took on a story about abuse and the hurt that comes from it.’ But women have a long history of laughing off abusive behaviour from partners, both to minimise it to themselves and to others, and to protect themselves from recrimination. Gillian jokes that she drugs Jimmy so she could get some sleep at night but we all understand that this strongly hints that he doesn’t accept her refusal or believes in consent and suggests that he has also sexually abused her. Her quiet ‘he’s strong. So much stronger than me’ at Sally’s concerning questioning broke my heart. But the film doesn’t overdo it. We know what’s happening and it’s enough to see the effects. It’s even perhaps more powerful for that – we believe her without seeing.
Despite these difficult and heartbreaking themes, Practical Magic ends up being a really life-affirming and heartwarming film – and not because Sally gets a happy ever after. That plot line with her too-perfect-to-be-real police officer is almost an annoying distraction, although Buzzfeed’s review did correctly note that it’s the light and dark next to each other that enhance both: ‘The movie acknowledges that abuse and trauma are things that happen. But it puts a love story side by side with that hurt, a reminder that life does go on even after it tries to tear you apart.’
But, for me, the true happy ending is between the women themselves and between the witches and the community. As Aunt Frances, played by the fabulous Stockard Channing, states, ‘we need a full coven.’ Gillian is saved by her bond with Sally but it took everyone to put her in a position to do that. And that includes the community that shunned them. I loved this idea that finally ‘coming out,’ as one character dubs it, is what brings them together. Distrust and division are perpetuated with secrecy and insincerity, and although there was definitely a risk in revealing themselves, it is a great feminist message that women don’t need to fight or fear each other and are much more powerful together.
Which, of course, brings me on to the fact that they’re witches. As my first Halloween themed post in a feminist movie blog, it had to be witches!
Witches are the ultimate feminist hero and embody everything that the patriarchy fears: ‘Witches, sluts, and feminists are the trifecta of terror for the patriarchy…[they] embody the potential for self-directed feminine power, and sexual and intellectual freedom’ historian Kristin J Sollee explained to The Guardian in 2017 to promote her book on this subject. Most witch traditions seem to stem from groups of women who didn’t need men, who defied the patriarchy and so must be evil and untrustworthy. Only someone in league with the devil could survive without a man! Buffering the Vampire Slayer, my favourite Buffy podcast, tells the story of the Alewives – women who brewed ale and were financially independent because of this. They were important members of the community, didn’t need men to survive…and traditionally made the ale in large cauldrons while wearing pointed black hats, suggesting they were an early source of the idea of witches. And, even more terrifying to the patriarchy, these groups of women can’t be controlled, which in some countries is still ‘enough to sentence her to death.’ And so they can be blamed for anything, for everything.
Practical Magic presents an interesting perspective on the story of witches as they sit on the border between horror and fantasy. Some witches are evil and terrifying and come from darkness – crones, hags etc – whereas some witches are good and fluffy and light – Sabrina, Wizadora etc – but Sally and Gillian are neither and both. They’re friendly and sunny with the ‘thickest, most lush movie hair’ yet seen and grow herbs to make lotions, and yet are capable of murder and reincarnation and both know deep, deep darkness. I mentioned Sady Doyle’s book ‘Dead Blondes and Bad Mothers’ last week and she writes about how witches have always lived ‘on the razor’s edge between benevolence and malevolence, horror and fairytale,’ which is why they are so terrifying – they are unknowable. Are they helping or harming? Are they good or bad?
Except, of course, that there is one eternal truth of witches: ‘they kill men who harm women.’
Next week: Jennifer’s Body